Restoration and conservation
Oil paintings, heirlooms, ecclesiastic statues and fire damaged works. Sliders show typical before and after results; church and HLF work is expanded in the St Marie's and Archdiocese case studies.
Oil paintings with major damage repaired
Oil painting repaired following surface damage
Station of the Cross panel with paint loss before consolidation and inpainting, and after treatment.
Read the Archdiocese of Liverpool case study →
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Before: Oil painting with paint loss before restoration. After: Oil painting after restoration.
Oil painting restored after major damage
Religious painting with large tears, holes and paint loss before treatment, and after restoration, cleaning and retouching.
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Before: Badly torn oil painting with holes and missing paint before restoration. After: Same oil painting after restoration and cleaning.
Oil painting rescued from fire damage
Station of the Cross detail with smoke and fire damage before treatment, and after cleaning and retouching.
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Before: Oil painting detail before fire damage restoration. After: Oil painting detail after fire damage restoration.
Late 1800 wooden statues restoration
Wooden statue restored after fire damage
Late nineteenth century figure in a display case after fire damage, and the same statue after conservation treatment.
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Before: Wooden statue charred after fire damage. After: Wooden statue after fire damage restoration.
Conservation of a wooden ecclesiastic statue
Stabilisation of gesso and polychrome before and after treatment on an ecclesiastic figure for a Liverpool Archdiocese parish.
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Before: Wooden ecclesiastic statue before conservation treatment. After: Wooden ecclesiastic statue after conservation treatment.
St Marie's Church, Widnes (HLF / Halton & St Helens VCA)
Full case study: fifteen workshop photographs, film and conservation report →
Antique paintings on wood, canvas and copper: cleaning progress
Liverpool Archdiocese parish: bird finials on a gold ground
Cleaning and inpainting bird finials on an oil painting wood panel. In-progress treatment on bird finials for a Liverpool Archdiocese parish panel painting. The finished result is shown in the before and after slider below. Ecclesiastical panel painting: bird finials on a gold ground
Paint loss and unfinished modelling on bird finials during treatment on an oil painting wood panel for a Liverpool Archdiocese parish. Drag the handle to reveal the same detail after consolidation and inpainting.
Read the Archdiocese of Liverpool case study →
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Before: Bird finial on an ecclesiastical panel painting before restoration, showing paint loss on a gold ground. After: Same panel detail after consolidation and inpainting on the gold ground.














































