Fine art restoration, gilding and decorative conservation in Warrington

We restore oil paintings and works on canvas, including surface cleaning, varnish removal where appropriate, tear repair, lining, flaking paint consolidation and inpainting. We also conserve family heirlooms, antiques and ecclesiastical pieces. For gilding, faux finishes and stenciling, see the dedicated service pages or ask during your free estimate visit.

Call 07801 311972, use our enquiry wizard or contact form. We arrange a visit or studio assessment, discuss condition and options, then provide a clear written scope and estimate. There is no obligation to proceed.

We are based at Evans House, Norman Street, Warrington WA2 7HW, and work across Liverpool, Manchester, Greater Manchester, Cheshire, Lancashire and the wider North West. We take on residential and commercial projects: private homes, family collections, churches, listed buildings and commercial interiors. Call us with your postcode and we will confirm availability.

We assess damaged paintings, gilding and decorative surfaces in the studio or on site, with photographs and written condition notes so you can see what treatment is needed. If a parish, committee or third party needs documentation, tell us when you enquire and we will discuss what they require.

Gilding applies real gold leaf over properly prepared surfaces. Burnished leaf gives a deep, reflective finish suited to frames and interior ornament. The right approach for your project is agreed after we assess the substrate and location. Metallic paint cannot match the depth or longevity of leaf when craftsmanship and preparation are done properly.

We sample on site where possible and build trial boards before full application. Marbling, wood graining and scumble glazes are hand painted, so we match colour, veining and scale to your existing panelling, fireplaces or joinery rather than using off the shelf wallpapers or films.

Yes. We regularly restore private family portraits, inherited paintings and antiques passed down through generations, as well as work for churches, collectors and heritage buildings. Each piece is assessed on its own merits with documented, reversible methods where conservation standards require it.

Yes. We can prepare condition reports for insurance, probate, parish committees or third party approval. Each report includes high resolution photographs and a written description of the front, back, frame and support, noting age, wear, environmental effects and any visible restoration. Ask when you enquire and we will confirm scope and fee after seeing the work.

Yes. We clean, repair and regild antique frames with real gold leaf, including missing ornament and toning to match surviving patina. Keeping the original frame often protects the value of the painting. Send photographs and approximate dimensions when you request an estimate.

Yes. That is how we work for councils, parishes and heritage buildings. Instead of coordinating separate gilders, faux finishers and conservators, you get one studio, one scope and one programme. Silvano Cioci Faux leads conservation, gold leaf, marbling, wood graining and stenciling with documented stages suitable for committees and grant reporting. Liverpool civic work, the Trafford Centre and Archdiocese of Liverpool commissions are examples where several disciplines were delivered together.

We specialise in heritage decorative arts: gilding, faux finishes, stenciling and conservation led restoration rather than general decorating. Our portfolio includes private homes alongside St Georges Hall Liverpool, the Trafford Centre and ecclesiastical work for the Archdiocese of Liverpool.